#Golden Age
- Abbasids — Members of the second great dynasty of caliphs who ruled the Islamic Caliphate (750–1258), centered in Baghdad. In the history of medicine, the Abbasid era represents the 'Golden Age' of Islamic medical sciences, characterized by the massive translation movement of Greek texts (Galen, Hippocrates), the founding of the first modern public hospitals (Bimaristan), the development of pharmacy as an independent discipline, and the emergence of illustrious medical encyclopedists such as Avicenna and Rhazes.
- Abul Vefa — The Latinized name of Abu al-Wafa al-Buzjani (Muhammad ibn Muhammad ibn Yahya ibn Ismail ibn al-Abbas al-Buzjani), a legendary Persian mathematician and astronomer who flourished in Baghdad during the Islamic Golden Age. He is considered one of the fathers of modern trigonometry, having introduced the secant and cosecant functions, perfected sine and tangent tables, and developed foundational trigonometric identities still used today in complex astronomical and geometric calculations.
- Amsterdam — The official capital of the Kingdom of the Netherlands, located in the province of North Holland at the confluence of the Amstel River with the IJ bay. The city is globally recognized as a major financial, cultural, and historical center, famous for its complex structural network of 17th-century concentric canals, its unique architecture with narrow facades, world-class museums, and its profoundly tolerant spirit.
- An-Nafis — The name of the famous Arab scientist, physician, and polymath Ibn an-Nafis (1213–1288), historically known as the first person to correctly describe the pulmonary circulation of blood. His pioneering works in anatomy and physiology anticipated the discoveries of modern European medicine by several centuries, representing a central figure of the Islamic Golden Age.
- Autos sacramentales — The designation given to one-act religious allegorical plays specific to Spanish literature during the 16th to 18th centuries (the Golden Age). Centered symbolically on the mystery of the Holy Eucharist, these dramatic works were performed publicly during the Corpus Christi festivities, featuring abstract characters such as Sin, Faith, Death, or Divine Grace, and reaching their zenith through the writings of Pedro Calderón de la Barca.